A Chromatic Scale
Notes in the A Chromatic Scale
| Degree | Name | Note | Frequency (A=440) |
|---|---|---|---|
| 1 | Tonic | A | 440.000 Hz |
| ♭2 | Minor 2nd | A♯ | 466.164 Hz |
| 2 | Major 2nd | B | 493.883 Hz |
| ♭3 | Minor 3rd | C | 261.626 Hz |
| 3 | Major 3rd | C♯ | 277.183 Hz |
| 4 | Perfect 4th | D | 293.665 Hz |
| ♯4 | Tritone | D♯ | 311.127 Hz |
| 5 | Perfect 5th | E | 329.628 Hz |
| ♭6 | Minor 6th | F | 349.228 Hz |
| 6 | Major 6th | F♯ | 369.994 Hz |
| ♭7 | Minor 7th | G | 391.995 Hz |
| 7 | Major 7th | G♯ | 415.305 Hz |
Interval Pattern
| Step | Interval | Semitones | From Note | To Note |
|---|---|---|---|---|
| 1 | Half Step (H) | 1 | A | A♯ |
| 2 | Half Step (H) | 1 | A♯ | B |
| 3 | Half Step (H) | 1 | B | C |
| 4 | Half Step (H) | 1 | C | C♯ |
| 5 | Half Step (H) | 1 | C♯ | D |
| 6 | Half Step (H) | 1 | D | D♯ |
| 7 | Half Step (H) | 1 | D♯ | E |
| 8 | Half Step (H) | 1 | E | F |
| 9 | Half Step (H) | 1 | F | F♯ |
| 10 | Half Step (H) | 1 | F♯ | G |
| 11 | Half Step (H) | 1 | G | G♯ |
| 12 | Half Step (H) | 1 | G♯ | A |
Harmony
The chromatic scale contains all 12 pitch classes and has no diatonic harmony, all chromatic passages use all pitches equally. See individual chord types for specific harmonic structures.
Key Signature
3 ♯ The A key signature uses F♯, C♯, G♯.
A Chromatic Scale in Practice
The A Chromatic Scale uses the key signature of 3 sharps (F♯, C♯, G♯). A major has three sharps (F#, C#, G#) and a bright, clear sound. It is extremely common in popular music and rock, particularly on guitar, and is easily sung by most voices. On guitar, A positions offer open-string resonance for fingering positions for this scale.
The chromatic scale includes all 12 pitches within an octave, each a half step apart. It has no tonal center and is used as a reference for all other scales and as a compositional device. When played starting on A, the 12 notes are A, A♯, B, C, C♯, D, D♯, E, F, F♯, G, G♯. In this key the signature has 3 sharps (F♯, C♯, G♯). A is the universal tuning reference pitch (A440) and sits naturally on guitar, mandolin, and violin as an open string. Blues guitarists gravitate toward A because the open A string provides a driving bass note for shuffle rhythms and the standard blues box pattern sits comfortably in fifth position.
Tuning Frequencies Across Temperaments
Frequencies shown at A=440 Hz. View full temperament data for any note.
| Note | Equal Temp. | Pythagorean | Just Intonation |
|---|---|---|---|
| A | 440.000 Hz | 440.000 Hz | 436.043 Hz |
| A♯ | 466.164 Hz | 463.538 Hz | 470.926 Hz |
| B | 493.883 Hz | 495.000 Hz | 490.548 Hz |
| C | 261.626 Hz | 260.740 Hz | 261.626 Hz |
| C♯ | 277.183 Hz | 278.437 Hz | 279.067 Hz |
| D | 293.665 Hz | 293.332 Hz | 294.329 Hz |
| D♯ | 311.127 Hz | 309.026 Hz | 313.951 Hz |
| E | 329.628 Hz | 330.001 Hz | 327.032 Hz |
| F | 349.228 Hz | 347.654 Hz | 348.834 Hz |
| F♯ | 369.994 Hz | 371.251 Hz | 367.911 Hz |
| G | 391.995 Hz | 391.111 Hz | 392.438 Hz |
| G♯ | 415.305 Hz | 417.657 Hz | 418.601 Hz |
Related Scales
Guitar: A Chromatic Scale Positions
The A key offers 3 sharps (F♯, C♯, G♯) on guitar. Sharp-side keys like A are idiomatic guitar keys because open strings (E, A, D, G, B, E) align with the scale's natural resonance points.