i–iv–v–i in A Minor
Pattern: i – iv – v – i
Chords: Am – Dm – Em – Am
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| i | Am (details) | minor | Tonic |
| iv | Dm (details) | minor | Subdominant |
| v | Em (details) | minor | Dominant |
| i | Am (details) | minor | Tonic |
Harmonic Analysis
This progression moves through Am (Tonic) → Dm (Subdominant) → Em (Dominant) → Am (Tonic).
The i–iv–v–i progression is the natural minor counterpart to the major I–IV–V–I. Using the minor v chord (instead of the borrowed major V) gives it a darker, more modal quality. It avoids the leading-tone pull of the harmonic minor, creating a gentler, less urgent resolution that is common in rock, metal, and folk music.
Song Examples
- All Along the Watchtower, Bob Dylan
- Dazed and Confused, Led Zeppelin
- Hit the Road Jack, Ray Charles