A#029.135 Hz

A#0 (A-sharp 0) is 29.135 Hz in standard equal temperament at A=440 Hz. It is MIDI note number 22.

A#0 Frequency in All Tuning Systems

Temperament Frequency (Hz) Cents from Equal Common Usage
Equal Temperament 29.135 Hz 0.00 Modern standard; piano, fretted instruments
Pythagorean 28.971 Hz -9.77 Medieval/early music; string ensemble open fifths
Just Intonation (Major) 29.433 Hz +17.62 A cappella vocal, barbershop, Renaissance
Just Intonation (Minor) 29.433 Hz +17.62 Minor-key vocal music, string ensembles
Quarter-Comma Meantone 29.425 Hz +17.15 Renaissance keyboard, early Baroque organ
Third-Comma Meantone 29.516 Hz +22.49 Renaissance vocal music in minor keys
Sixth-Comma Meantone 29.333 Hz +11.73 Baroque orchestral ensemble compromise
Werckmeister III 29.333 Hz +11.73 Baroque keyboard; Bach contemporaries
Werckmeister IV 29.300 Hz +9.78 Baroque keyboard, strong key contrast
Werckmeister V 29.201 Hz +3.92 Specialized Baroque keyboard
Kirnberger III 29.308 Hz +10.25 Classical-era keyboard, keys near C major
Vallotti 29.234 Hz +5.87 Baroque/Classical orchestral tuning
Young (1799) 29.267 Hz +7.83 Classical-era keyboard
Bach/Lehman 29.234 Hz +5.87 Bach keyboard works, Well-Tempered Clavier
Neidhardt 29.201 Hz +3.92 18th century keyboard, near-equal alternative
Kellner (Bach) 29.294 Hz +9.42 Bach keyboard reconstruction

Positive cents = sharper than equal temperament. Negative cents = flatter. 100 cents = 1 semitone.

A#0 at Different Concert Pitches

The same note varies in frequency depending on the concert pitch standard used by your ensemble.

Concert Pitch Frequency (Hz) Common Usage
A = 440 Hz (ISO standard) 29.135 Hz US, UK, and most modern ensembles worldwide
A = 442 Hz 29.268 Hz Many European orchestras; France, Germany
A = 443 Hz 29.334 Hz Berlin Philharmonic; some US orchestras
A = 432 Hz 28.606 Hz Alternative tuning; Baroque revival
A = 415 Hz (Baroque) 27.480 Hz Historically-informed Baroque performance

f = f_at_A440 × (concert_pitch / 440)

Instruments That Play A#0

A#0 (29.135 Hz) falls within the comfortable playing range of 1 instrument.

A#0 and Bb0 — Enharmonic Equivalents

A#0 and Bb0 are enharmonic equivalents — they sound identical at 29.135 Hz but are written differently depending on the musical context.

A#0: A♯ appears in sharp key signatures and is the leading tone in B major. Common key signatures: B major, F♯ major, C♯ major.

Bb0: B♭ appears as the tonic of B♭ major and is one of the most common flat notes in Western music. Common key signatures: B♭ major, E♭ major, F major.

Enharmonic equivalents share the same frequency in equal temperament. In historical temperaments like Pythagorean or meantone, they may differ slightly.

Why A#0 Varies Across Tuning Systems

A#0 shows a maximum deviation of +22.49 cents in Third-Comma Meantone compared to equal temperament. This 22-cent difference is clearly audible to trained musicians and reflects how different tuning philosophies prioritize interval purity over equal distribution.

In Third-Comma Meantone, A#0 is tuned sharper than equal temperament to achieve purer intervals with nearby notes in the tuning system's favored keys.

7 of the 15 non-equal temperaments deviate by more than 10 cents for A#0, making this note one where tuning system choice has a meaningful impact on pitch.

A#0 Across All Tuning Systems

Explore how A#0 is tuned in each historical temperament system. Each tuning system gives A#0 a slightly different frequency, affecting the harmonic character of chords and melodies.

Tune A#0 with precision — Get Tunable.

Tunable supports 15+ tuning systems including equal temperament, Pythagorean, just intonation, and historical well-temperaments. See exact Hz values in real-time as you play.