i–iv–v–i in C♯ Minor
Pattern: i – iv – v – i
Chords: C♯m – F♯m – G♯m – C♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| i | C♯m (details) | minor | Tonic |
| iv | F♯m (details) | minor | Subdominant |
| v | G♯m (details) | minor | Dominant |
| i | C♯m (details) | minor | Tonic |
Harmonic Analysis
This progression moves through C♯m (Tonic) → F♯m (Subdominant) → G♯m (Dominant) → C♯m (Tonic).
The i–iv–v–i progression is the natural minor counterpart to the major I–IV–V–I. Using the minor v chord (instead of the borrowed major V) gives it a darker, more modal quality. It avoids the leading-tone pull of the harmonic minor, creating a gentler, less urgent resolution that is common in rock, metal, and folk music.
Song Examples
- All Along the Watchtower, Bob Dylan
- Dazed and Confused, Led Zeppelin
- Hit the Road Jack, Ray Charles