Gb72959.955 Hz

Gb7 (G-flat 7) is 2959.955 Hz in standard equal temperament at A=440 Hz. It is MIDI note number 102.

Gb7 Frequency in All Tuning Systems

Temperament Frequency (Hz) Cents from Equal Common Usage
Equal Temperament 2959.955 Hz 0.00 Modern standard; piano, fretted instruments
Pythagorean 2970.009 Hz +5.87 Medieval/early music; string ensemble open fifths
Just Intonation (Major) 2943.288 Hz -9.78 A cappella vocal, barbershop, Renaissance
Just Intonation (Minor) 2943.288 Hz -9.78 Minor-key vocal music, string ensembles
Quarter-Comma Meantone 2942.465 Hz -10.26 Renaissance keyboard, early Baroque organ
Third-Comma Meantone 2936.641 Hz -13.69 Renaissance vocal music in minor keys
Sixth-Comma Meantone 2948.267 Hz -6.85 Baroque orchestral ensemble compromise
Werckmeister III 2959.955 Hz 0.00 Baroque keyboard; Bach contemporaries
Werckmeister IV 2946.615 Hz -7.82 Baroque keyboard, strong key contrast
Werckmeister V 2959.955 Hz 0.00 Specialized Baroque keyboard
Kirnberger III 2961.631 Hz +0.98 Classical-era keyboard, keys near C major
Vallotti 2959.955 Hz 0.00 Baroque/Classical orchestral tuning
Young (1799) 2959.955 Hz 0.00 Classical-era keyboard
Bach/Lehman 2963.308 Hz +1.96 Bach keyboard works, Well-Tempered Clavier
Neidhardt 2959.955 Hz 0.00 18th century keyboard, near-equal alternative
Kellner (Bach) 2958.622 Hz -0.78 Bach keyboard reconstruction

Positive cents = sharper than equal temperament. Negative cents = flatter. 100 cents = 1 semitone.

Gb7 at Different Concert Pitches

The same note varies in frequency depending on the concert pitch standard used by your ensemble.

Concert Pitch Frequency (Hz) Common Usage
A = 440 Hz (ISO standard) 2959.955 Hz US, UK, and most modern ensembles worldwide
A = 442 Hz 2973.410 Hz Many European orchestras; France, Germany
A = 443 Hz 2980.137 Hz Berlin Philharmonic; some US orchestras
A = 432 Hz 2906.138 Hz Alternative tuning; Baroque revival
A = 415 Hz (Baroque) 2791.776 Hz Historically-informed Baroque performance

f = f_at_A440 × (concert_pitch / 440)

Instruments That Play Gb7

Gb7 (2959.955 Hz) falls within the comfortable playing range of 3 instruments.

Gb7 and F#7 — Enharmonic Equivalents

Gb7 and F#7 are enharmonic equivalents — they sound identical at 2959.955 Hz but are written differently depending on the musical context.

Gb7: G♭ appears as the tonic of G♭ major (6 flats) and in flat key signatures. Common key signatures: G♭ major, D♭ major, C♭ major.

F#7: F♯ appears in sharp key signatures starting from G major (1 sharp) onward. Common key signatures: G major, D major, A major, E major, B major, F♯ major.

Enharmonic equivalents share the same frequency in equal temperament. In historical temperaments like Pythagorean or meantone, they may differ slightly.

Why Gb7 Varies Across Tuning Systems

Gb7 shows a maximum deviation of -13.69 cents in Third-Comma Meantone compared to equal temperament. This 14-cent difference reflects how different tuning philosophies prioritize interval purity over equal distribution.

In Third-Comma Meantone, Gb7 is tuned flatter than equal temperament, reflecting this system's approach to distributing the Pythagorean comma across the chromatic scale.

2 of the 15 non-equal temperaments deviate by more than 10 cents for Gb7, making this note one where tuning system choice has a meaningful impact on pitch.

Gb7 Across All Tuning Systems

Explore how Gb7 is tuned in each historical temperament system. Each tuning system gives Gb7 a slightly different frequency, affecting the harmonic character of chords and melodies.

Tune Gb7 with precision — Get Tunable.

Tunable supports 15+ tuning systems including equal temperament, Pythagorean, just intonation, and historical well-temperaments. See exact Hz values in real-time as you play.