Gb146.249 Hz

Gb1 (G-flat 1) is 46.249 Hz in standard equal temperament at A=440 Hz. It is MIDI note number 30.

Gb1 Frequency in All Tuning Systems

Temperament Frequency (Hz) Cents from Equal Common Usage
Equal Temperament 46.249 Hz 0.00 Modern standard; piano, fretted instruments
Pythagorean 46.406 Hz +5.87 Medieval/early music; string ensemble open fifths
Just Intonation (Major) 45.989 Hz -9.76 A cappella vocal, barbershop, Renaissance
Just Intonation (Minor) 45.989 Hz -9.76 Minor-key vocal music, string ensembles
Quarter-Comma Meantone 45.976 Hz -10.25 Renaissance keyboard, early Baroque organ
Third-Comma Meantone 45.885 Hz -13.68 Renaissance vocal music in minor keys
Sixth-Comma Meantone 46.067 Hz -6.83 Baroque orchestral ensemble compromise
Werckmeister III 46.249 Hz 0.00 Baroque keyboard; Bach contemporaries
Werckmeister IV 46.041 Hz -7.80 Baroque keyboard, strong key contrast
Werckmeister V 46.249 Hz 0.00 Specialized Baroque keyboard
Kirnberger III 46.275 Hz +0.97 Classical-era keyboard, keys near C major
Vallotti 46.249 Hz 0.00 Baroque/Classical orchestral tuning
Young (1799) 46.249 Hz 0.00 Classical-era keyboard
Bach/Lehman 46.302 Hz +1.98 Bach keyboard works, Well-Tempered Clavier
Neidhardt 46.249 Hz 0.00 18th century keyboard, near-equal alternative
Kellner (Bach) 46.228 Hz -0.79 Bach keyboard reconstruction

Positive cents = sharper than equal temperament. Negative cents = flatter. 100 cents = 1 semitone.

Gb1 at Different Concert Pitches

The same note varies in frequency depending on the concert pitch standard used by your ensemble.

Concert Pitch Frequency (Hz) Common Usage
A = 440 Hz (ISO standard) 46.249 Hz US, UK, and most modern ensembles worldwide
A = 442 Hz 46.460 Hz Many European orchestras; France, Germany
A = 443 Hz 46.565 Hz Berlin Philharmonic; some US orchestras
A = 432 Hz 45.408 Hz Alternative tuning; Baroque revival
A = 415 Hz (Baroque) 43.622 Hz Historically-informed Baroque performance

f = f_at_A440 × (concert_pitch / 440)

Instruments That Play Gb1

Gb1 (46.249 Hz) falls within the comfortable playing range of 11 instruments.

Gb1 and F#1 — Enharmonic Equivalents

Gb1 and F#1 are enharmonic equivalents — they sound identical at 46.249 Hz but are written differently depending on the musical context.

Gb1: G♭ appears as the tonic of G♭ major (6 flats) and in flat key signatures. Common key signatures: G♭ major, D♭ major, C♭ major.

F#1: F♯ appears in sharp key signatures starting from G major (1 sharp) onward. Common key signatures: G major, D major, A major, E major, B major, F♯ major.

Enharmonic equivalents share the same frequency in equal temperament. In historical temperaments like Pythagorean or meantone, they may differ slightly.

Why Gb1 Varies Across Tuning Systems

Gb1 shows a maximum deviation of -13.68 cents in Third-Comma Meantone compared to equal temperament. This 14-cent difference reflects how different tuning philosophies prioritize interval purity over equal distribution.

In Third-Comma Meantone, Gb1 is tuned flatter than equal temperament, reflecting this system's approach to distributing the Pythagorean comma across the chromatic scale.

2 of the 15 non-equal temperaments deviate by more than 10 cents for Gb1, making this note one where tuning system choice has a meaningful impact on pitch.

Gb1 Across All Tuning Systems

Explore how Gb1 is tuned in each historical temperament system. Each tuning system gives Gb1 a slightly different frequency, affecting the harmonic character of chords and melodies.

Tune Gb1 with precision — Get Tunable.

Tunable supports 15+ tuning systems including equal temperament, Pythagorean, just intonation, and historical well-temperaments. See exact Hz values in real-time as you play.