Db72217.461 Hz

Db7 (D-flat 7) is 2217.461 Hz in standard equal temperament at A=440 Hz. It is MIDI note number 97.

Db7 Frequency in All Tuning Systems

Temperament Frequency (Hz) Cents from Equal Common Usage
Equal Temperament 2217.461 Hz 0.00 Modern standard; piano, fretted instruments
Pythagorean 2227.500 Hz +7.82 Medieval/early music; string ensemble open fifths
Just Intonation (Major) 2232.538 Hz +11.73 A cappella vocal, barbershop, Renaissance
Just Intonation (Minor) 2232.538 Hz +11.73 Minor-key vocal music, string ensembles
Quarter-Comma Meantone 2199.995 Hz -13.69 Renaissance keyboard, early Baroque organ
Third-Comma Meantone 2195.045 Hz -17.59 Renaissance vocal music in minor keys
Sixth-Comma Meantone 2205.135 Hz -9.65 Baroque orchestral ensemble compromise
Werckmeister III 2219.973 Hz +1.96 Baroque keyboard; Bach contemporaries
Werckmeister IV 2209.955 Hz -5.87 Baroque keyboard, strong key contrast
Werckmeister V 2219.973 Hz +1.96 Specialized Baroque keyboard
Kirnberger III 2218.089 Hz +0.49 Classical-era keyboard, keys near C major
Vallotti 2219.973 Hz +1.96 Baroque/Classical orchestral tuning
Young (1799) 2219.973 Hz +1.96 Classical-era keyboard
Bach/Lehman 2222.475 Hz +3.91 Bach keyboard works, Well-Tempered Clavier
Neidhardt 2219.973 Hz +1.96 18th century keyboard, near-equal alternative
Kellner (Bach) 2219.973 Hz +1.96 Bach keyboard reconstruction

Positive cents = sharper than equal temperament. Negative cents = flatter. 100 cents = 1 semitone.

Db7 at Different Concert Pitches

The same note varies in frequency depending on the concert pitch standard used by your ensemble.

Concert Pitch Frequency (Hz) Common Usage
A = 440 Hz (ISO standard) 2217.461 Hz US, UK, and most modern ensembles worldwide
A = 442 Hz 2227.540 Hz Many European orchestras; France, Germany
A = 443 Hz 2232.580 Hz Berlin Philharmonic; some US orchestras
A = 432 Hz 2177.144 Hz Alternative tuning; Baroque revival
A = 415 Hz (Baroque) 2091.469 Hz Historically-informed Baroque performance

f = f_at_A440 × (concert_pitch / 440)

Instruments That Play Db7

Db7 (2217.461 Hz) falls within the comfortable playing range of 5 instruments.

Db7 and C#7 — Enharmonic Equivalents

Db7 and C#7 are enharmonic equivalents — they sound identical at 2217.461 Hz but are written differently depending on the musical context.

Db7: D♭ appears as the tonic of D♭ major and is common in flat key signatures. Common key signatures: D♭ major, G♭ major, A♭ major.

C#7: C♯ appears in sharp key signatures and is the leading tone in D major. Common key signatures: A major, E major, B major, F♯ major, C♯ major.

Enharmonic equivalents share the same frequency in equal temperament. In historical temperaments like Pythagorean or meantone, they may differ slightly.

Why Db7 Varies Across Tuning Systems

Db7 shows a maximum deviation of -17.59 cents in Third-Comma Meantone compared to equal temperament. This 18-cent difference is clearly audible to trained musicians and reflects how different tuning philosophies prioritize interval purity over equal distribution.

In Third-Comma Meantone, Db7 is tuned flatter than equal temperament, reflecting this system's approach to distributing the Pythagorean comma across the chromatic scale.

4 of the 15 non-equal temperaments deviate by more than 10 cents for Db7, making this note one where tuning system choice has a meaningful impact on pitch.

Db7 Across All Tuning Systems

Explore how Db7 is tuned in each historical temperament system. Each tuning system gives Db7 a slightly different frequency, affecting the harmonic character of chords and melodies.

Tune Db7 with precision — Get Tunable.

Tunable supports 15+ tuning systems including equal temperament, Pythagorean, just intonation, and historical well-temperaments. See exact Hz values in real-time as you play.