C#269.296 Hz

C#2 (C-sharp 2) is 69.296 Hz in standard equal temperament at A=440 Hz. It is MIDI note number 37.

C#2 Frequency in All Tuning Systems

Temperament Frequency (Hz) Cents from Equal Common Usage
Equal Temperament 69.296 Hz 0.00 Modern standard; piano, fretted instruments
Pythagorean 69.609 Hz +7.80 Medieval/early music; string ensemble open fifths
Just Intonation (Major) 69.767 Hz +11.73 A cappella vocal, barbershop, Renaissance
Just Intonation (Minor) 69.767 Hz +11.73 Minor-key vocal music, string ensembles
Quarter-Comma Meantone 68.750 Hz -13.69 Renaissance keyboard, early Baroque organ
Third-Comma Meantone 68.595 Hz -17.60 Renaissance vocal music in minor keys
Sixth-Comma Meantone 68.910 Hz -9.67 Baroque orchestral ensemble compromise
Werckmeister III 69.374 Hz +1.95 Baroque keyboard; Bach contemporaries
Werckmeister IV 69.061 Hz -5.88 Baroque keyboard, strong key contrast
Werckmeister V 69.374 Hz +1.95 Specialized Baroque keyboard
Kirnberger III 69.315 Hz +0.47 Classical-era keyboard, keys near C major
Vallotti 69.374 Hz +1.95 Baroque/Classical orchestral tuning
Young (1799) 69.374 Hz +1.95 Classical-era keyboard
Bach/Lehman 69.452 Hz +3.89 Bach keyboard works, Well-Tempered Clavier
Neidhardt 69.374 Hz +1.95 18th century keyboard, near-equal alternative
Kellner (Bach) 69.374 Hz +1.95 Bach keyboard reconstruction

Positive cents = sharper than equal temperament. Negative cents = flatter. 100 cents = 1 semitone.

C#2 at Different Concert Pitches

The same note varies in frequency depending on the concert pitch standard used by your ensemble.

Concert Pitch Frequency (Hz) Common Usage
A = 440 Hz (ISO standard) 69.296 Hz US, UK, and most modern ensembles worldwide
A = 442 Hz 69.611 Hz Many European orchestras; France, Germany
A = 443 Hz 69.768 Hz Berlin Philharmonic; some US orchestras
A = 432 Hz 68.036 Hz Alternative tuning; Baroque revival
A = 415 Hz (Baroque) 65.358 Hz Historically-informed Baroque performance

f = f_at_A440 × (concert_pitch / 440)

Instruments That Play C#2

C#2 (69.296 Hz) falls within the comfortable playing range of 17 instruments.

C#2 and Db2 — Enharmonic Equivalents

C#2 and Db2 are enharmonic equivalents — they sound identical at 69.296 Hz but are written differently depending on the musical context.

C#2: C♯ appears in sharp key signatures and is the leading tone in D major. Common key signatures: A major, E major, B major, F♯ major, C♯ major.

Db2: D♭ appears as the tonic of D♭ major and is common in flat key signatures. Common key signatures: D♭ major, G♭ major, A♭ major.

Enharmonic equivalents share the same frequency in equal temperament. In historical temperaments like Pythagorean or meantone, they may differ slightly.

Why C#2 Varies Across Tuning Systems

C#2 shows a maximum deviation of -17.60 cents in Third-Comma Meantone compared to equal temperament. This 18-cent difference is clearly audible to trained musicians and reflects how different tuning philosophies prioritize interval purity over equal distribution.

In Third-Comma Meantone, C#2 is tuned flatter than equal temperament, reflecting this system's approach to distributing the Pythagorean comma across the chromatic scale.

4 of the 15 non-equal temperaments deviate by more than 10 cents for C#2, making this note one where tuning system choice has a meaningful impact on pitch.

C#2 Across All Tuning Systems

Explore how C#2 is tuned in each historical temperament system. Each tuning system gives C#2 a slightly different frequency, affecting the harmonic character of chords and melodies.

Tune C#2 with precision — Get Tunable.

Tunable supports 15+ tuning systems including equal temperament, Pythagorean, just intonation, and historical well-temperaments. See exact Hz values in real-time as you play.