A#61864.655 Hz

A#6 (A-sharp 6) is 1864.655 Hz in standard equal temperament at A=440 Hz. It is MIDI note number 94.

A#6 Frequency in All Tuning Systems

Temperament Frequency (Hz) Cents from Equal Common Usage
Equal Temperament 1864.655 Hz 0.00 Modern standard; piano, fretted instruments
Pythagorean 1854.151 Hz -9.78 Medieval/early music; string ensemble open fifths
Just Intonation (Major) 1883.704 Hz +17.60 A cappella vocal, barbershop, Renaissance
Just Intonation (Minor) 1883.704 Hz +17.60 Minor-key vocal music, string ensembles
Quarter-Comma Meantone 1883.175 Hz +17.11 Renaissance keyboard, early Baroque organ
Third-Comma Meantone 1889.025 Hz +22.48 Renaissance vocal music in minor keys
Sixth-Comma Meantone 1877.332 Hz +11.73 Baroque orchestral ensemble compromise
Werckmeister III 1877.332 Hz +11.73 Baroque keyboard; Bach contemporaries
Werckmeister IV 1875.219 Hz +9.78 Baroque keyboard, strong key contrast
Werckmeister V 1868.871 Hz +3.91 Specialized Baroque keyboard
Kirnberger III 1875.739 Hz +10.26 Classical-era keyboard, keys near C major
Vallotti 1870.988 Hz +5.87 Baroque/Classical orchestral tuning
Young (1799) 1873.097 Hz +7.82 Classical-era keyboard
Bach/Lehman 1870.988 Hz +5.87 Bach keyboard works, Well-Tempered Clavier
Neidhardt 1868.871 Hz +3.91 18th century keyboard, near-equal alternative
Kellner (Bach) 1874.785 Hz +9.38 Bach keyboard reconstruction

Positive cents = sharper than equal temperament. Negative cents = flatter. 100 cents = 1 semitone.

A#6 at Different Concert Pitches

The same note varies in frequency depending on the concert pitch standard used by your ensemble.

Concert Pitch Frequency (Hz) Common Usage
A = 440 Hz (ISO standard) 1864.655 Hz US, UK, and most modern ensembles worldwide
A = 442 Hz 1873.131 Hz Many European orchestras; France, Germany
A = 443 Hz 1877.369 Hz Berlin Philharmonic; some US orchestras
A = 432 Hz 1830.752 Hz Alternative tuning; Baroque revival
A = 415 Hz (Baroque) 1758.709 Hz Historically-informed Baroque performance

f = f_at_A440 × (concert_pitch / 440)

Instruments That Play A#6

A#6 (1864.655 Hz) falls within the comfortable playing range of 7 instruments.

A#6 and Bb6 — Enharmonic Equivalents

A#6 and Bb6 are enharmonic equivalents — they sound identical at 1864.655 Hz but are written differently depending on the musical context.

A#6: A♯ appears in sharp key signatures and is the leading tone in B major. Common key signatures: B major, F♯ major, C♯ major.

Bb6: B♭ appears as the tonic of B♭ major and is one of the most common flat notes in Western music. Common key signatures: B♭ major, E♭ major, F major.

Enharmonic equivalents share the same frequency in equal temperament. In historical temperaments like Pythagorean or meantone, they may differ slightly.

Why A#6 Varies Across Tuning Systems

A#6 shows a maximum deviation of +22.48 cents in Third-Comma Meantone compared to equal temperament. This 22-cent difference is clearly audible to trained musicians and reflects how different tuning philosophies prioritize interval purity over equal distribution.

In Third-Comma Meantone, A#6 is tuned sharper than equal temperament to achieve purer intervals with nearby notes in the tuning system's favored keys.

7 of the 15 non-equal temperaments deviate by more than 10 cents for A#6, making this note one where tuning system choice has a meaningful impact on pitch.

A#6 Across All Tuning Systems

Explore how A#6 is tuned in each historical temperament system. Each tuning system gives A#6 a slightly different frequency, affecting the harmonic character of chords and melodies.

Tune A#6 with precision — Get Tunable.

Tunable supports 15+ tuning systems including equal temperament, Pythagorean, just intonation, and historical well-temperaments. See exact Hz values in real-time as you play.