Imaj7–vi7–ii7–V7 in G Major
Pattern: Imaj7 – vi7 – ii7 – V7
Chords: Gmaj7 – Em7 – Am7 – D7
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| Imaj7 | Gmaj7 (details) | major seventh | Tonic |
| vi7 | Em7 (details) | minor seventh | Submediant |
| ii7 | Am7 (details) | minor seventh | Supertonic |
| V7 | D7 (details) | dominant seventh | Dominant |
Harmonic Analysis
This progression moves through Gmaj7 (Tonic) → Em7 (Submediant) → Am7 (Supertonic) → D7 (Dominant).
The standard I–vi–ii–V turnaround voiced with full seventh chords for authentic jazz color. The major seventh on I and the minor sevenths on vi and ii create rich voice-leading possibilities.
Song Examples
- Blue Moon — Richard Rodgers
- Sunday — Jule Styne