I–vi–IV–ii–V in E Major
Pattern: I – vi – IV – ii – V
Chords: E – C♯m – A – F♯m – B
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | E (details) | major | Tonic |
| vi | C♯m (details) | minor | Submediant |
| IV | A (details) | major | Subdominant |
| ii | F♯m (details) | minor | Supertonic |
| V | B (details) | major | Dominant |
Harmonic Analysis
This progression moves through E (Tonic) → C♯m (Submediant) → A (Subdominant) → F♯m (Supertonic) → B (Dominant).
An expanded turnaround that inserts a IV chord for additional harmonic color before the cadential ii–V. The extra chord stretches the phrase and adds a gentle plagal quality before the dominant resolution.
Song Examples
- My Funny Valentine — Richard Rodgers
- There Will Never Be Another You — Harry Warren