Early Music (HIP)
Historically informed performance (HIP) of Medieval, Renaissance, and early Baroque repertoire requires understanding the tuning systems that were actually in use. From Pythagorean organum to Renaissance meantone, each era had a characteristic sound that equal temperament cannot replicate. This page covers the temperament choices for authentic early music performance.
Recommended Temperaments
Practical Guidance
Practical guidance: Research the approximate date and region of your repertoire before choosing a temperament. Medieval plainchant and early polyphony (pre-1450): use Pythagorean tuning. Renaissance vocal polyphony (Palestrina, Lassus, Josquin, c.1450-1600): just intonation for voices, quarter-comma meantone for keyboard continuo. Baroque (1600-1750): quarter-comma meantone for Italian and French repertoire; well temperaments (Werckmeister III, Kirnberger III) for German repertoire. Period editions and urtext scores often include tuning notes — consult these alongside the cent data in Tunable.
Instruments for This Context
Tune with the Right Temperament — Get Tunable.
Tunable supports all 5 recommended temperaments for Early Music (HIP) — and 16 tuning systems total. See exact Hz values in real time as you play.