A#158.270 Hz

A#1 (A-sharp 1) is 58.270 Hz in standard equal temperament at A=440 Hz. It is MIDI note number 34.

A#1 Frequency in All Tuning Systems

Temperament Frequency (Hz) Cents from Equal Common Usage
Equal Temperament 58.270 Hz 0.00 Modern standard; piano, fretted instruments
Pythagorean 57.942 Hz -9.77 Medieval/early music; string ensemble open fifths
Just Intonation (Major) 58.866 Hz +17.62 A cappella vocal, barbershop, Renaissance
Just Intonation (Minor) 58.866 Hz +17.62 Minor-key vocal music, string ensembles
Quarter-Comma Meantone 58.849 Hz +17.12 Renaissance keyboard, early Baroque organ
Third-Comma Meantone 59.032 Hz +22.49 Renaissance vocal music in minor keys
Sixth-Comma Meantone 58.667 Hz +11.76 Baroque orchestral ensemble compromise
Werckmeister III 58.667 Hz +11.76 Baroque keyboard; Bach contemporaries
Werckmeister IV 58.601 Hz +9.81 Baroque keyboard, strong key contrast
Werckmeister V 58.402 Hz +3.92 Specialized Baroque keyboard
Kirnberger III 58.617 Hz +10.28 Classical-era keyboard, keys near C major
Vallotti 58.468 Hz +5.87 Baroque/Classical orchestral tuning
Young (1799) 58.534 Hz +7.83 Classical-era keyboard
Bach/Lehman 58.468 Hz +5.87 Bach keyboard works, Well-Tempered Clavier
Neidhardt 58.402 Hz +3.92 18th century keyboard, near-equal alternative
Kellner (Bach) 58.587 Hz +9.39 Bach keyboard reconstruction

Positive cents = sharper than equal temperament. Negative cents = flatter. 100 cents = 1 semitone.

A#1 at Different Concert Pitches

The same note varies in frequency depending on the concert pitch standard used by your ensemble.

Concert Pitch Frequency (Hz) Common Usage
A = 440 Hz (ISO standard) 58.270 Hz US, UK, and most modern ensembles worldwide
A = 442 Hz 58.535 Hz Many European orchestras; France, Germany
A = 443 Hz 58.668 Hz Berlin Philharmonic; some US orchestras
A = 432 Hz 57.211 Hz Alternative tuning; Baroque revival
A = 415 Hz (Baroque) 54.960 Hz Historically-informed Baroque performance

f = f_at_A440 × (concert_pitch / 440)

Instruments That Play A#1

A#1 (58.270 Hz) falls within the comfortable playing range of 12 instruments.

A#1 and Bb1 — Enharmonic Equivalents

A#1 and Bb1 are enharmonic equivalents — they sound identical at 58.270 Hz but are written differently depending on the musical context.

A#1: A♯ appears in sharp key signatures and is the leading tone in B major. Common key signatures: B major, F♯ major, C♯ major.

Bb1: B♭ appears as the tonic of B♭ major and is one of the most common flat notes in Western music. Common key signatures: B♭ major, E♭ major, F major.

Enharmonic equivalents share the same frequency in equal temperament. In historical temperaments like Pythagorean or meantone, they may differ slightly.

Why A#1 Varies Across Tuning Systems

A#1 shows a maximum deviation of +22.49 cents in Third-Comma Meantone compared to equal temperament. This 22-cent difference is clearly audible to trained musicians and reflects how different tuning philosophies prioritize interval purity over equal distribution.

In Third-Comma Meantone, A#1 is tuned sharper than equal temperament to achieve purer intervals with nearby notes in the tuning system's favored keys.

7 of the 15 non-equal temperaments deviate by more than 10 cents for A#1, making this note one where tuning system choice has a meaningful impact on pitch.

A#1 Across All Tuning Systems

Explore how A#1 is tuned in each historical temperament system. Each tuning system gives A#1 a slightly different frequency, affecting the harmonic character of chords and melodies.

Tune A#1 with precision — Get Tunable.

Tunable supports 15+ tuning systems including equal temperament, Pythagorean, just intonation, and historical well-temperaments. See exact Hz values in real-time as you play.