vi–ii–V–I in G Major
Pattern: vi – ii – V – I
Chords: Em – Am – D – G
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | Em (details) | minor | Submediant |
| ii | Am (details) | minor | Supertonic |
| V | D (details) | major | Dominant |
| I | G (details) | major | Tonic |
Harmonic Analysis
This progression moves through Em (Submediant) → Am (Supertonic) → D (Dominant) → G (Tonic).
A circle-of-fifths progression beginning on the submediant that drives convincingly to a perfect authentic cadence. This pattern appears throughout the Baroque and Classical periods as a standard harmonic sequence.
Song Examples
- Prelude in C Major, BWV 846 — J.S. Bach
- Canon in D — Johann Pachelbel