vi–V–IV–III in G Minor
Pattern: vi – V – IV – III
Chords: Em – D – C – B
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | Em (details) | minor | Submediant |
| V | D (details) | major | Dominant |
| IV | C (details) | major | Subdominant |
| III | B (details) | major | Mediant |
Harmonic Analysis
This progression moves through Em (Submediant) → D (Dominant) → C (Subdominant) → B (Mediant).
A descending tetrachord progression rooted in the Phrygian mode, often called the Andalusian cadence. Its characteristic stepwise bass descent from the tonic of the relative minor creates a dramatic, Spanish-inflected sound used across Baroque and Classical traditions.
Song Examples
- Violin Concerto in A minor, BWV 1041 — J.S. Bach
- Recuerdos de la Alhambra — Francisco Tarrega