ii–V–vi in B♭ Major

Pattern: ii – V – vi   Chords: Cm – F – Gm

Chord Breakdown

NumeralChordTypeFunction
ii Cm (details) minor Supertonic
V F (details) major Dominant
vi Gm (details) minor Submediant

Harmonic Analysis

This progression moves through Cm (Supertonic) → F (Dominant) → Gm (Submediant).

A ii–V that resolves deceptively to the vi chord instead of the expected tonic. Jazz arrangers use this to extend a tune's harmonic journey and delay the final resolution for greater emotional impact.

Song Examples

Chord Details

More Progressions in B♭ Major