ii–V–I–vi in A Major
Pattern: ii – V – I – vi
Chords: Bm – E – A – F♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| ii | Bm (details) | minor | Supertonic |
| V | E (details) | major | Dominant |
| I | A (details) | major | Tonic |
| vi | F♯m (details) | minor | Submediant |
Harmonic Analysis
This progression moves through Bm (Supertonic) → E (Dominant) → A (Tonic) → F♯m (Submediant).
A reordering of the classic turnaround that begins with the ii–V resolution before cycling back via the vi chord. This creates a seamless loop ideal for repeated choruses and improvisation.
Song Examples
- Rhythm Changes (bridge) — George Gershwin
- Oleo — Sonny Rollins