i–♭VI–♭VII–♭III in F♯ Minor
Pattern: i – ♭VI – ♭VII – ♭III
Chords: F♯m – D – E – A
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| i | F♯m (details) | minor | Tonic |
| ♭VI | D (details) | major | Submediant |
| ♭VII | E (details) | major | Subtonic |
| ♭III | A (details) | major | Mediant |
Harmonic Analysis
This progression moves through F♯m (Tonic) → D (Submediant) → E (Subtonic) → A (Mediant).
The i–♭VI–♭VII–♭III progression loops through the natural minor scale's major chords, ending on the relative major instead of resolving to the dominant. This avoids traditional resolution, creating a perpetual, driving cycle. The pattern is a favorite in thrash metal and hardcore punk for its relentless energy.
Song Examples
- Holy Wars...The Punishment Due — Megadeth
- Walk — Pantera