V–vi–IV–V in B♭ Major
Pattern: V – vi – IV – V
Chords: F – Gm – E♭ – F
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| V | F (details) | major | Dominant |
| vi | Gm (details) | minor | Submediant |
| IV | E♭ (details) | major | Subdominant |
| V | F (details) | major | Dominant |
Harmonic Analysis
This progression moves through F (Dominant) → Gm (Submediant) → E♭ (Subdominant) → F (Dominant).
A progression that evades the expected tonic resolution by moving to vi, then circles back through IV to re-establish dominant tension. This technique extends phrases in Classical sonata development sections.
Song Examples
- Symphony No. 94 (Surprise) — Joseph Haydn
- Piano Concerto No. 21 — Wolfgang Amadeus Mozart