I–vi–ii–V–I in A Major
Pattern: I – vi – ii – V – I
Chords: A – F♯m – Bm – E – A
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| vi | F♯m (details) | minor | Submediant |
| ii | Bm (details) | minor | Supertonic |
| V | E (details) | major | Dominant |
| I | A (details) | major | Tonic |
Harmonic Analysis
This progression moves through A (Tonic) → F♯m (Submediant) → Bm (Supertonic) → E (Dominant) → A (Tonic).
The complete turnaround cycle that resolves back to the tonic, providing full harmonic closure. This self-contained progression is the basis for countless jazz standards and rhythm changes.
Song Examples
- I Got Rhythm — George Gershwin
- Anthropology — Charlie Parker