I–vi–IV–ii–V in C Major
Pattern: I – vi – IV – ii – V
Chords: C – Am – F – Dm – G
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | C (details) | major | Tonic |
| vi | Am (details) | minor | Submediant |
| IV | F (details) | major | Subdominant |
| ii | Dm (details) | minor | Supertonic |
| V | G (details) | major | Dominant |
Harmonic Analysis
This progression moves through C (Tonic) → Am (Submediant) → F (Subdominant) → Dm (Supertonic) → G (Dominant).
An expanded turnaround that inserts a IV chord for additional harmonic color before the cadential ii–V. The extra chord stretches the phrase and adds a gentle plagal quality before the dominant resolution.
Song Examples
- My Funny Valentine — Richard Rodgers
- There Will Never Be Another You — Harry Warren