I–vi–IV–ii–V in A Major
Pattern: I – vi – IV – ii – V
Chords: A – F♯m – D – Bm – E
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| vi | F♯m (details) | minor | Submediant |
| IV | D (details) | major | Subdominant |
| ii | Bm (details) | minor | Supertonic |
| V | E (details) | major | Dominant |
Harmonic Analysis
This progression moves through A (Tonic) → F♯m (Submediant) → D (Subdominant) → Bm (Supertonic) → E (Dominant).
An expanded turnaround that inserts a IV chord for additional harmonic color before the cadential ii–V. The extra chord stretches the phrase and adds a gentle plagal quality before the dominant resolution.
Song Examples
- My Funny Valentine — Richard Rodgers
- There Will Never Be Another You — Harry Warren