I–vi–IV–V–I in A Major
Pattern: I – vi – IV – V – I
Chords: A – F♯m – D – E – A
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| vi | F♯m (details) | minor | Submediant |
| IV | D (details) | major | Subdominant |
| V | E (details) | major | Dominant |
| I | A (details) | major | Tonic |
Harmonic Analysis
This progression moves through A (Tonic) → F♯m (Submediant) → D (Subdominant) → E (Dominant) → A (Tonic).
A balanced Classical-period progression that passes through the submediant and subdominant before a perfect authentic cadence. This satisfying harmonic arc appears in theme statements across symphonies, sonatas, and chamber works.
Song Examples
- Piano Sonata No. 16 in C Major — Wolfgang Amadeus Mozart
- String Quartet No. 1 in F Major — Ludwig van Beethoven