I–iii–IV–iv–V–I in G Major
Pattern: I – iii – IV – iv – V – I
Chords: G – Bm – C – Cm – D – G
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | G (details) | major | Tonic |
| iii | Bm (details) | minor | Mediant |
| IV | C (details) | major | Subdominant |
| iv | Cm (details) | minor | Subdominant |
| V | D (details) | major | Dominant |
| I | G (details) | major | Tonic |
Harmonic Analysis
This progression moves through G (Tonic) → Bm (Mediant) → C (Subdominant) → Cm (Subdominant) → D (Dominant) → G (Tonic).
The I–iii–IV–iv–V–I progression features a chromatic inner voice that descends through the IV-to-iv shift, creating a ♭ittersweet moment of modal mixture. This borrowed minor iv chord adds emotional depth to an otherwise diatonic progression. It is a hallmark of sophisticated pop songwriting.
Song Examples
- Creep — Radiohead
- Space Oddity — David Bowie