I–iii–IV–iv–V–I in B Major
Pattern: I – iii – IV – iv – V – I
Chords: B – D♯m – E – Em – F♯ – B
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B (details) | major | Tonic |
| iii | D♯m (details) | minor | Mediant |
| IV | E (details) | major | Subdominant |
| iv | Em (details) | minor | Subdominant |
| V | F♯ (details) | major | Dominant |
| I | B (details) | major | Tonic |
Harmonic Analysis
This progression moves through B (Tonic) → D♯m (Mediant) → E (Subdominant) → Em (Subdominant) → F♯ (Dominant) → B (Tonic).
The I–iii–IV–iv–V–I progression features a chromatic inner voice that descends through the IV-to-iv shift, creating a ♭ittersweet moment of modal mixture. This borrowed minor iv chord adds emotional depth to an otherwise diatonic progression. It is a hallmark of sophisticated pop songwriting.
Song Examples
- Creep — Radiohead
- Space Oddity — David Bowie