I–iii–IV–iv–V–I in A Major
Pattern: I – iii – IV – iv – V – I
Chords: A – C♯m – D – Dm – E – A
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| iii | C♯m (details) | minor | Mediant |
| IV | D (details) | major | Subdominant |
| iv | Dm (details) | minor | Subdominant |
| V | E (details) | major | Dominant |
| I | A (details) | major | Tonic |
Harmonic Analysis
This progression moves through A (Tonic) → C♯m (Mediant) → D (Subdominant) → Dm (Subdominant) → E (Dominant) → A (Tonic).
The I–iii–IV–iv–V–I progression features a chromatic inner voice that descends through the IV-to-iv shift, creating a ♭ittersweet moment of modal mixture. This borrowed minor iv chord adds emotional depth to an otherwise diatonic progression. It is a hallmark of sophisticated pop songwriting.
Song Examples
- Creep — Radiohead
- Space Oddity — David Bowie