I–ii–iii–IV–V in A Major
Pattern: I – ii – iii – IV – V
Chords: A – Bm – C♯m – D – E
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| ii | Bm (details) | minor | Supertonic |
| iii | C♯m (details) | minor | Mediant |
| IV | D (details) | major | Subdominant |
| V | E (details) | major | Dominant |
Harmonic Analysis
This progression moves through A (Tonic) → Bm (Supertonic) → C♯m (Mediant) → D (Subdominant) → E (Dominant).
A stepwise ascending motion through the first five diatonic chords. The rising bass line creates a strong sense of building energy and forward momentum, often used in intros and verses.
Song Examples
- Joy Spring — Clifford Brown
- Solar — Miles Davis