I–ii–iii–IV–V–I in G Major
Pattern: I – ii – iii – IV – V – I
Chords: G – Am – Bm – C – D – G
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | G (details) | major | Tonic |
| ii | Am (details) | minor | Supertonic |
| iii | Bm (details) | minor | Mediant |
| IV | C (details) | major | Subdominant |
| V | D (details) | major | Dominant |
| I | G (details) | major | Tonic |
Harmonic Analysis
This progression moves through G (Tonic) → Am (Supertonic) → Bm (Mediant) → C (Subdominant) → D (Dominant) → G (Tonic).
The I–ii–iii–IV–V–I progression ascends stepwise through the major scale's diatonic chords before cadencing home. This scalewise motion creates a sense of inevitable, building momentum toward the dominant resolution. It appears in classical themes and sophisticated pop arrangements.
Song Examples
- Pachelbel's Canon (adapted) — Johann Pachelbel
- Mr. Brightside (bridge) — The Killers