I–♭III–♭VII–IV in F♯ Major
Pattern: I – ♭III – ♭VII – IV
Chords: F♯ – A – E – B
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| ♭III | A (details) | major | Mediant |
| ♭VII | E (details) | major | Subtonic |
| IV | B (details) | major | Subdominant |
Harmonic Analysis
This progression moves through F♯ (Tonic) → A (Mediant) → E (Subtonic) → B (Subdominant).
The I–♭III–♭VII–IV progression blends Mixolydian and Dorian borrowings into a four-chord rock loop. The ♭III and ♭VII add modal color while the IV provides a familiar landing point. This pattern is a staple of arena rock and jam-band music.
Song Examples
- Hey Jude (coda) — The Beatles
- Sympathy for the Devil — The Rolling Stones