I–V–vi–IV–V in B♭ Major
Pattern: I – V – vi – IV – V
Chords: B♭ – F – Gm – E♭ – F
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B♭ (details) | major | Tonic |
| V | F (details) | major | Dominant |
| vi | Gm (details) | minor | Submediant |
| IV | E♭ (details) | major | Subdominant |
| V | F (details) | major | Dominant |
Harmonic Analysis
This progression moves through B♭ (Tonic) → F (Dominant) → Gm (Submediant) → E♭ (Subdominant) → F (Dominant).
A Classical sentence structure that moves through a deceptive resolution before arriving at a half cadence on V. This open-ended phrase creates expectation for a consequent phrase and is common in sonata-form exposition themes.
Song Examples
- Symphony No. 6 (Pastoral) — Ludwig van Beethoven
- Piano Sonata No. 8 (Pathetique) — Ludwig van Beethoven