I–V–vi–IV–V in B Major
Pattern: I – V – vi – IV – V
Chords: B – F♯ – G♯m – E – F♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B (details) | major | Tonic |
| V | F♯ (details) | major | Dominant |
| vi | G♯m (details) | minor | Submediant |
| IV | E (details) | major | Subdominant |
| V | F♯ (details) | major | Dominant |
Harmonic Analysis
This progression moves through B (Tonic) → F♯ (Dominant) → G♯m (Submediant) → E (Subdominant) → F♯ (Dominant).
A Classical sentence structure that moves through a deceptive resolution before arriving at a half cadence on V. This open-ended phrase creates expectation for a consequent phrase and is common in sonata-form exposition themes.
Song Examples
- Symphony No. 6 (Pastoral) — Ludwig van Beethoven
- Piano Sonata No. 8 (Pathetique) — Ludwig van Beethoven