I–V–vi–IV–V in A Major
Pattern: I – V – vi – IV – V
Chords: A – E – F♯m – D – E
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| V | E (details) | major | Dominant |
| vi | F♯m (details) | minor | Submediant |
| IV | D (details) | major | Subdominant |
| V | E (details) | major | Dominant |
Harmonic Analysis
This progression moves through A (Tonic) → E (Dominant) → F♯m (Submediant) → D (Subdominant) → E (Dominant).
A Classical sentence structure that moves through a deceptive resolution before arriving at a half cadence on V. This open-ended phrase creates expectation for a consequent phrase and is common in sonata-form exposition themes.
Song Examples
- Symphony No. 6 (Pastoral) — Ludwig van Beethoven
- Piano Sonata No. 8 (Pathetique) — Ludwig van Beethoven