I–V–vi–IV–I–V in B♭ Major
Pattern: I – V – vi – IV – I – V
Chords: B♭ – F – Gm – E♭ – B♭ – F
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B♭ (details) | major | Tonic |
| V | F (details) | major | Dominant |
| vi | Gm (details) | minor | Submediant |
| IV | E♭ (details) | major | Subdominant |
| I | B♭ (details) | major | Tonic |
| V | F (details) | major | Dominant |
Harmonic Analysis
This progression moves through B♭ (Tonic) → F (Dominant) → Gm (Submediant) → E♭ (Subdominant) → B♭ (Tonic) → F (Dominant).
The I–V–vi–IV–I–V extends the ubiquitous pop progression by adding a resolution and reopening with the dominant. This six-chord cycle creates a longer phrase that breathes and resets, ideal for verse-chorus structures that need more harmonic real estate.
Song Examples
- With or Without You — U2
- Counting Stars — OneRepublic