I–V–vi–IV–I–V in B Major
Pattern: I – V – vi – IV – I – V
Chords: B – F♯ – G♯m – E – B – F♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B (details) | major | Tonic |
| V | F♯ (details) | major | Dominant |
| vi | G♯m (details) | minor | Submediant |
| IV | E (details) | major | Subdominant |
| I | B (details) | major | Tonic |
| V | F♯ (details) | major | Dominant |
Harmonic Analysis
This progression moves through B (Tonic) → F♯ (Dominant) → G♯m (Submediant) → E (Subdominant) → B (Tonic) → F♯ (Dominant).
The I–V–vi–IV–I–V extends the ubiquitous pop progression by adding a resolution and reopening with the dominant. This six-chord cycle creates a longer phrase that breathes and resets, ideal for verse-chorus structures that need more harmonic real estate.
Song Examples
- With or Without You — U2
- Counting Stars — OneRepublic