I–V–I–IV–V–I in B Major
Pattern: I – V – I – IV – V – I
Chords: B – F♯ – B – E – F♯ – B
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B (details) | major | Tonic |
| V | F♯ (details) | major | Dominant |
| I | B (details) | major | Tonic |
| IV | E (details) | major | Subdominant |
| V | F♯ (details) | major | Dominant |
| I | B (details) | major | Tonic |
Harmonic Analysis
This progression moves through B (Tonic) → F♯ (Dominant) → B (Tonic) → E (Subdominant) → F♯ (Dominant) → B (Tonic).
A symmetrical period structure typical of Baroque keyboard music, establishing the tonic with a half cadence before a full cadential close. This harmonic blueprint appears in dance movements, preludes, and inventions.
Song Examples
- Minuet in G Major, BWV Anh. 114 — Christian Petzold
- Invention No. 1 in C Major — J.S. Bach