I–V–I–IV–V–I in A Major
Pattern: I – V – I – IV – V – I
Chords: A – E – A – D – E – A
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| V | E (details) | major | Dominant |
| I | A (details) | major | Tonic |
| IV | D (details) | major | Subdominant |
| V | E (details) | major | Dominant |
| I | A (details) | major | Tonic |
Harmonic Analysis
This progression moves through A (Tonic) → E (Dominant) → A (Tonic) → D (Subdominant) → E (Dominant) → A (Tonic).
A symmetrical period structure typical of Baroque keyboard music, establishing the tonic with a half cadence before a full cadential close. This harmonic blueprint appears in dance movements, preludes, and inventions.
Song Examples
- Minuet in G Major, BWV Anh. 114 — Christian Petzold
- Invention No. 1 in C Major — J.S. Bach