I–IV–vi–V–iii–vi in B♭ Major
Pattern: I – IV – vi – V – iii – vi
Chords: B♭ – E♭ – Gm – F – Dm – Gm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B♭ (details) | major | Tonic |
| IV | E♭ (details) | major | Subdominant |
| vi | Gm (details) | minor | Submediant |
| V | F (details) | major | Dominant |
| iii | Dm (details) | minor | Mediant |
| vi | Gm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through B♭ (Tonic) → E♭ (Subdominant) → Gm (Submediant) → F (Dominant) → Dm (Mediant) → Gm (Submediant).
The I–IV–vi–V–iii–vi progression weaves through six chords, creating an extended harmonic journey that delays resolution. The iii–vi tail adds unexpected depth to what begins as a standard pop pattern. This longer cycle keeps listeners engaged through its constantly shifting emotional colors.
Song Examples
- Drops of Jupiter — Train
- Daughters — John Mayer