I–IV–vi–V–iii–vi in A Major
Pattern: I – IV – vi – V – iii – vi
Chords: A – D – F♯m – E – C♯m – F♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| IV | D (details) | major | Subdominant |
| vi | F♯m (details) | minor | Submediant |
| V | E (details) | major | Dominant |
| iii | C♯m (details) | minor | Mediant |
| vi | F♯m (details) | minor | Submediant |
Harmonic Analysis
This progression moves through A (Tonic) → D (Subdominant) → F♯m (Submediant) → E (Dominant) → C♯m (Mediant) → F♯m (Submediant).
The I–IV–vi–V–iii–vi progression weaves through six chords, creating an extended harmonic journey that delays resolution. The iii–vi tail adds unexpected depth to what begins as a standard pop pattern. This longer cycle keeps listeners engaged through its constantly shifting emotional colors.
Song Examples
- Drops of Jupiter — Train
- Daughters — John Mayer