I–IV–V–iii–vi in C Major
Pattern: I – IV – V – iii – vi
Chords: C – F – G – Em – Am
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | C (details) | major | Tonic |
| IV | F (details) | major | Subdominant |
| V | G (details) | major | Dominant |
| iii | Em (details) | minor | Mediant |
| vi | Am (details) | minor | Submediant |
Harmonic Analysis
This progression moves through C (Tonic) → F (Subdominant) → G (Dominant) → Em (Mediant) → Am (Submediant).
A Classical-era progression that begins with a standard cadential setup but diverts through iii to vi, creating a deceptive resolution followed by a mediant color. This technique extends harmonic journeys in sonata and rondo forms.
Song Examples
- Piano Sonata No. 11 in A Major — Wolfgang Amadeus Mozart
- String Quartet Op. 76 No. 3 — Joseph Haydn