I–IV–V–iii–vi in B♭ Major
Pattern: I – IV – V – iii – vi
Chords: B♭ – E♭ – F – Dm – Gm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B♭ (details) | major | Tonic |
| IV | E♭ (details) | major | Subdominant |
| V | F (details) | major | Dominant |
| iii | Dm (details) | minor | Mediant |
| vi | Gm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through B♭ (Tonic) → E♭ (Subdominant) → F (Dominant) → Dm (Mediant) → Gm (Submediant).
A Classical-era progression that begins with a standard cadential setup but diverts through iii to vi, creating a deceptive resolution followed by a mediant color. This technique extends harmonic journeys in sonata and rondo forms.
Song Examples
- Piano Sonata No. 11 in A Major — Wolfgang Amadeus Mozart
- String Quartet Op. 76 No. 3 — Joseph Haydn