I–IV–V–iii–vi in B Major
Pattern: I – IV – V – iii – vi
Chords: B – E – F♯ – D♯m – G♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B (details) | major | Tonic |
| IV | E (details) | major | Subdominant |
| V | F♯ (details) | major | Dominant |
| iii | D♯m (details) | minor | Mediant |
| vi | G♯m (details) | minor | Submediant |
Harmonic Analysis
This progression moves through B (Tonic) → E (Subdominant) → F♯ (Dominant) → D♯m (Mediant) → G♯m (Submediant).
A Classical-era progression that begins with a standard cadential setup but diverts through iii to vi, creating a deceptive resolution followed by a mediant color. This technique extends harmonic journeys in sonata and rondo forms.
Song Examples
- Piano Sonata No. 11 in A Major — Wolfgang Amadeus Mozart
- String Quartet Op. 76 No. 3 — Joseph Haydn