I–IV–V–iii–vi in A Major
Pattern: I – IV – V – iii – vi
Chords: A – D – E – C♯m – F♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| IV | D (details) | major | Subdominant |
| V | E (details) | major | Dominant |
| iii | C♯m (details) | minor | Mediant |
| vi | F♯m (details) | minor | Submediant |
Harmonic Analysis
This progression moves through A (Tonic) → D (Subdominant) → E (Dominant) → C♯m (Mediant) → F♯m (Submediant).
A Classical-era progression that begins with a standard cadential setup but diverts through iii to vi, creating a deceptive resolution followed by a mediant color. This technique extends harmonic journeys in sonata and rondo forms.
Song Examples
- Piano Sonata No. 11 in A Major — Wolfgang Amadeus Mozart
- String Quartet Op. 76 No. 3 — Joseph Haydn