I–II–IV–iii in B Major
Pattern: I – II – IV – iii
Chords: B – C♯ – E – D♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B (details) | major | Tonic |
| II | C♯ (details) | major | Supertonic |
| IV | E (details) | major | Subdominant |
| iii | D♯m (details) | minor | Mediant |
Harmonic Analysis
This progression moves through B (Tonic) → C♯ (Supertonic) → E (Subdominant) → D♯m (Mediant).
A progression that introduces a major II chord borrowed from the Lydian mode, giving the harmony a bright, lifted quality. The resolution to IV and then iii provides an unexpected but satisfying melodic path.
Song Examples
- Inner Urge — Joe Henderson
- Maiden Voyage — Herbie Hancock