I–II–IV–iii in A Major
Pattern: I – II – IV – iii
Chords: A – B – D – C♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| II | B (details) | major | Supertonic |
| IV | D (details) | major | Subdominant |
| iii | C♯m (details) | minor | Mediant |
Harmonic Analysis
This progression moves through A (Tonic) → B (Supertonic) → D (Subdominant) → C♯m (Mediant).
A progression that introduces a major II chord borrowed from the Lydian mode, giving the harmony a bright, lifted quality. The resolution to IV and then iii provides an unexpected but satisfying melodic path.
Song Examples
- Inner Urge — Joe Henderson
- Maiden Voyage — Herbie Hancock