vi–ii–V–I in B Major
Pattern: vi – ii – V – I
Chords: G♯m – C♯m – F♯ – B
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | G♯m (details) | minor | Submediant |
| ii | C♯m (details) | minor | Supertonic |
| V | F♯ (details) | major | Dominant |
| I | B (details) | major | Tonic |
Harmonic Analysis
This progression moves through G♯m (Submediant) → C♯m (Supertonic) → F♯ (Dominant) → B (Tonic).
A circle-of-fifths progression beginning on the submediant that drives convincingly to a perfect authentic cadence. This pattern appears throughout the Baroque and Classical periods as a standard harmonic sequence.
Song Examples
- Prelude in C Major, BWV 846 — J.S. Bach
- Canon in D — Johann Pachelbel