vi–V–IV–III in F♯ Minor
Pattern: vi – V – IV – III
Chords: D♯m – C♯ – B – A♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | D♯m (details) | minor | Submediant |
| V | C♯ (details) | major | Dominant |
| IV | B (details) | major | Subdominant |
| III | A♯ (details) | major | Mediant |
Harmonic Analysis
This progression moves through D♯m (Submediant) → C♯ (Dominant) → B (Subdominant) → A♯ (Mediant).
A descending tetrachord progression rooted in the Phrygian mode, often called the Andalusian cadence. Its characteristic stepwise bass descent from the tonic of the relative minor creates a dramatic, Spanish-inflected sound used across Baroque and Classical traditions.
Song Examples
- Violin Concerto in A minor, BWV 1041 — J.S. Bach
- Recuerdos de la Alhambra — Francisco Tarrega