vi–V–IV–III in D Minor
Pattern: vi – V – IV – III
Chords: Bm – A – G – F♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | Bm (details) | minor | Submediant |
| V | A (details) | major | Dominant |
| IV | G (details) | major | Subdominant |
| III | F♯ (details) | major | Mediant |
Harmonic Analysis
This progression moves through Bm (Submediant) → A (Dominant) → G (Subdominant) → F♯ (Mediant).
A descending tetrachord progression rooted in the Phrygian mode, often called the Andalusian cadence. Its characteristic stepwise bass descent from the tonic of the relative minor creates a dramatic, Spanish-inflected sound used across Baroque and Classical traditions.
Song Examples
- Violin Concerto in A minor, BWV 1041 — J.S. Bach
- Recuerdos de la Alhambra — Francisco Tarrega