vi–V–IV–III in C Minor
Pattern: vi – V – IV – III
Chords: Am – G – F – E
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | Am (details) | minor | Submediant |
| V | G (details) | major | Dominant |
| IV | F (details) | major | Subdominant |
| III | E (details) | major | Mediant |
Harmonic Analysis
This progression moves through Am (Submediant) → G (Dominant) → F (Subdominant) → E (Mediant).
A descending tetrachord progression rooted in the Phrygian mode, often called the Andalusian cadence. Its characteristic stepwise bass descent from the tonic of the relative minor creates a dramatic, Spanish-inflected sound used across Baroque and Classical traditions.
Song Examples
- Violin Concerto in A minor, BWV 1041 — J.S. Bach
- Recuerdos de la Alhambra — Francisco Tarrega