vi–V–IV–III in B♭ Minor
Pattern: vi – V – IV – III
Chords: Gm – F – E♭ – D
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | Gm (details) | minor | Submediant |
| V | F (details) | major | Dominant |
| IV | E♭ (details) | major | Subdominant |
| III | D (details) | major | Mediant |
Harmonic Analysis
This progression moves through Gm (Submediant) → F (Dominant) → E♭ (Subdominant) → D (Mediant).
A descending tetrachord progression rooted in the Phrygian mode, often called the Andalusian cadence. Its characteristic stepwise bass descent from the tonic of the relative minor creates a dramatic, Spanish-inflected sound used across Baroque and Classical traditions.
Song Examples
- Violin Concerto in A minor, BWV 1041 — J.S. Bach
- Recuerdos de la Alhambra — Francisco Tarrega