ii7–V9–I in B Major
Pattern: ii7 – V9 – I
Chords: C♯m7 – F♯9 – B
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| ii7 | C♯m7 (details) | minor seventh | Supertonic |
| V9 | F♯9 (details) | dominant ninth | Dominant |
| I | B (details) | major | Tonic |
Harmonic Analysis
This progression moves through C♯m7 (Supertonic) → F♯9 (Dominant) → B (Tonic).
The ii7–V9–I progression upgrades the classic jazz cadence with extended chord voicings: a minor seventh on ii and a dominant ninth on V. These extensions add richness and color while preserving the fundamental ii–V–I harmonic function. This is the standard cadence voicing in modern jazz, funk, and R&B, where bare triads would sound thin and the extensions provide the expected fullness.
Song Examples
- What's Going On — Marvin Gaye
- So What — Miles Davis
- Superstition — Stevie Wonder